{"id":356,"date":"2022-09-24T16:14:06","date_gmt":"2022-09-24T16:14:06","guid":{"rendered":"https:\/\/kritika.be\/?p=356"},"modified":"2022-09-24T16:14:06","modified_gmt":"2022-09-24T16:14:06","slug":"il-futurismo","status":"publish","type":"post","link":"https:\/\/kritika.be\/?p=356","title":{"rendered":"Il Futurismo"},"content":{"rendered":"\n<p>Een fotografische ode aand de Italiaanse kunststroming &#8216;<em>La Pittura Futurista<\/em>&#8216;<\/p>\n\n\n<div class='photonic-wp-stream photonic-stream ' id='photonic-wp-stream-1'>\n\n\t<div id='photonic-wp-stream-1-container' class='title-display-tooltip photonic-level-1-container sizes-present photonic-random-layout photonic-thumbnail-effect-none' data-photonic-platform=\"wp\" data-photonic-gallery-columns=\"auto\" data-photonic-query=\"order=ASC&amp;orderby=post__in&amp;id=356&amp;itemtag=figure&amp;icontag=div&amp;captiontag=figcaption&amp;size=thumbnail&amp;include=347,353,352,351,350,349,348&amp;exclude=&amp;link=&amp;offset=0&amp;layout=random&amp;custom_classes=&amp;alignment=&amp;caption=title&amp;page=1&amp;count=-1&amp;thumb_size=thumbnail&amp;slide_size=large&amp;type=default&amp;style=random&amp;display=local&amp;ids=347,353,352,351,350,349,348&amp;main_size=full&amp;tile_size=full&amp;columns=auto\" style='--tile-min-height: 200px'>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1333;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-20.jpg' title='Hubert &#8211; 20' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/347\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=347&#039; &gt;Hubert &#8211; 20&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 20\">\n\t\t\t\t<img alt='Hubert &#8211; 20' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-20.jpg' loading='lazy' width='1333' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1332;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-26.jpg' title='Hubert &#8211; 26' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/353\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=353&#039; &gt;Hubert &#8211; 26&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 26\">\n\t\t\t\t<img alt='Hubert &#8211; 26' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-26.jpg' loading='lazy' width='1332' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 750;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-25.jpg' title='Hubert &#8211; 25' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/352\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=352&#039; &gt;Hubert &#8211; 25&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 25\">\n\t\t\t\t<img alt='Hubert &#8211; 25' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-25.jpg' loading='lazy' width='750' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1499;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-24.jpg' title='Hubert &#8211; 24' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/351\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=351&#039; &gt;Hubert &#8211; 24&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 24\">\n\t\t\t\t<img alt='Hubert &#8211; 24' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-24.jpg' loading='lazy' width='1499' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1332;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-23.jpg' title='Hubert &#8211; 23' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/350\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=350&#039; &gt;Hubert &#8211; 23&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 23\">\n\t\t\t\t<img alt='Hubert &#8211; 23' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-23.jpg' loading='lazy' width='1332' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1333;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-22.jpg' title='Hubert &#8211; 22' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/349\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=349&#039; &gt;Hubert &#8211; 22&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 22\">\n\t\t\t\t<img alt='Hubert &#8211; 22' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-22.jpg' loading='lazy' width='1333' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t<figure class='photonic-level-1 photonic-thumb' style='--dw: 1333;--dh: 1000'>\n\t\t\t<a href='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg' title='Hubert &#8211; 21' rel='lightbox-photonic-wp-stream-1' class='photonic-lb photonic-baguettebox baguettebox' data-photonic-media-type=\"image\" data-content-type=\"image\" data-photonic-deep=\"gallery[photonic-wp-stream-1]\/348\/\" data-title=\"&lt;a href=&#039;https:\/\/kritika.be\/?attachment_id=348&#039; &gt;Hubert &#8211; 21&lt;\/a&gt;\" data-photonic-tooltip=\"Hubert &#8211; 21\">\n\t\t\t\t<img alt='Hubert &#8211; 21' class='random' data-src='https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg' loading='lazy' width='1333' height='1000' \/>\n\t\t\t<\/a>\n\t\t<\/figure>\n\n\t<\/div> <!-- .\/photonic-level-1-container -->\n\t<span id='photonic-wp-stream-1-container-end'><\/span>\n<\/div><!-- .photonic-stream or .photonic-panel -->\n","protected":false},"excerpt":{"rendered":"<p>Een fotografische ode aand de Italiaanse kunststroming &#8216;La Pittura Futurista&#8216;<\/p>\n","protected":false},"author":6,"featured_media":348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":""},"categories":[24],"tags":[32,27],"uagb_featured_image_src":{"full":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg",1333,1000,false],"thumbnail":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21-150x150.jpg",150,150,true],"medium":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21-500x375.jpg",500,375,true],"medium_large":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21-768x576.jpg",640,480,true],"large":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg",640,480,false],"1536x1536":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg",1333,1000,false],"2048x2048":["https:\/\/kritika.be\/wp-content\/uploads\/2022\/09\/Hubert-21.jpg",1333,1000,false]},"uagb_author_info":{"display_name":"Hubert Doms","author_link":"https:\/\/kritika.be\/?author=6"},"uagb_comment_info":0,"uagb_excerpt":"Een fotografische ode aand de Italiaanse kunststroming &#8216;La Pittura Futurista&#8216;","_links":{"self":[{"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/posts\/356"}],"collection":[{"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kritika.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=356"}],"version-history":[{"count":1,"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/posts\/356\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/posts\/356\/revisions\/357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kritika.be\/index.php?rest_route=\/wp\/v2\/media\/348"}],"wp:attachment":[{"href":"https:\/\/kritika.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kritika.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kritika.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}